#many thoughts occurring these days
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spocksgotemotions · 2 years ago
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what if…… I commissioned someone to draw something I can put on a custom binder (of the three ring variety)………
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alcorian-wizard · 7 days ago
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*barges in covered in blood and sweat with haunted eyes* i need you to know that because of your art i went onto the journey of reading everything i can get my grabby hands on about alcor. who i never heard a WHIFF about prior the june 28th of current year. i couldnt stop thinking about him for all this week+ . this is actively ruining my life.
What Did You Do To Me
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thelastspeecher · 2 years ago
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my food diary to keep track of what particular foods cause me distress is more scientific than Stanford Pines' Journals
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usertoxicyaoi · 2 years ago
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no but hold on for a second like can we just give it up for the absolute genius that was episode 5 + using segasaki and yoh's sitting positions - side by side or one behind the other so that they literally can't see each other's faces - to highlight their growing miscommunication / wrong footing / not being on the same page and speaking 2 different languages throughtout the entire episode and that being a constant running theme throughout all of it right until the final scene of the episode.
we start here:
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and it continues:
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and it continues ....
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and even when things feel like they're ~ okay ~, they really aren't, because it continues ...
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until we reach the final scene which is the sum of everything the episode was building up to:
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pure genius.
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mwagneto · 9 months ago
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i stopped dissociating sometime last week and it fucking SUUUUCCCKKKS. let me back in PLEEEEEEASE😭
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Okay, I have 'returned' from my minor Tumblr absence. I say 'returned' because I never truly properly left, as you might've noticed from the few things that I reblogged onto my main and whatnot. Part of it was just a break, but the other major part of it was... I went to a concert!!! Of one of my favorite bands that means so, so much to me.
Big tangent below that isn't very selfshippy related.
Now, I don't know how much I mention NSP on here, perhap's I have once or twice when talking about songs that I've added to my F/Os playlists, but I don't think I ever really went on anything too lengthy. And I know I've mentioned Game Grumps a few times on here as well- definitely not as much as Jerma- but One of the co-hosts of Game Grumps is the lead singer in NSP, and both NSP and Game Grumps mean a lottt to me, even if I don't mention them often. They've gotten me through a lot for a very long amount of years, ever since I was around 11~ish. Made me laugh, helped me sleep, relax, entertained me, and have said a lot of motivational and heartwarming things that have helped kept me going. Getting tickets to go see the band was nearly entirely on impulse, which is something that I don't really ever do, but this was beyond worth it. It... it felt like it reset my brain, almost. If that makes any sense. Like my brain was a computer that had been running on sleep mode ever since it first booted up and finally got restarted for the first time ever. I'm upset that I can't have the entire thing burned into my memory second by second cause it was incredible. The lights and noises were overwhelming at first and I had moments questioning if I should regrettably step away but I managed to cool myself down. It was magical, there was some crying, there still IS some crying, and probably always will be, and they did some really cool "Hey, however you identify or who you love is completely okay with us." TWRP was also there, which is a slightly longer story, but they were also brilliant. I used up a lot of my energy and tears during their songs that I didn't have any left for the songs that I actually anticipated crying over! I could go on for ages about it, but I wouldn't have chosen anything else. I actually think I needed this. It feels like I can think like...better. More clearly. I feel more relaxed about my future and spending money and just...UGH. There are the watery eyes. Maybe because I anticipated crying during some of the NSP songs it didn't hit me, but the TWRP stuff really came at me from out of left field and the little intermission dialog and..man. maaann. It was really funny as well and. I wish I could remember it forever I really really do. I never thought I would ever get to see any artists that I enjoyed live, honestly. Most of them don't tour anymore or are all UK based, and I didn't know if or when NSP would tour again, nonetheless if they would be anywhere close to me. I HAD to. And I'm glad I did.
I know this perhaps sounds like every other description expereince of someone going to a concert but.It just felt so good. To be in a room where I practically felt like I could just.. be myself. I will say the worst thing to come from all of this is just potentially slowly forgetting details and that now I will get FOMO over any and all future concerts that they ever have. Concerts aren't really my thing but that.. was magic. And inspiration and awe and. I still can't get over TWRP's songs and the little intermissions about the lead singer hyping us up over our humanly hidden potentials.
It's almost hard to listen to any of their songs now after listening to them live! My phone camera desperately needs to be cleaned so the few pictures that I got during the moment we were allowed to have phones out are really fuzzy. I got a really good spot standing at the top of some small staircases so I could see over everyone(and it was also a good spot to sit/lean against the railings). It was worth it. it was worth it all. It was worth the sleepiness and hunger and thirst and frustrations. In fact it exceeded that.
I also got to stop by an IHOP and BurgerKing and ironically I love both of those places and yet neither of them are within like an hour drive of me.
#Thank you Crowley for planting this idea into my head that quickly formed into something else.#And thank you to every other F/O that is going to be enduring my choked-up-ness over a band with a name that is moderately embarassing-#-to not intialize because of a word it contains. And also some of their funny songs follow suit in such themes.#Which normally isnt themes I indulge in at all but Ive gotten really comfortable with Game Grumps and NSP-#-so hearing those sorts of jokes get cracked from them doesn't phase me and even gets some chuckles out of me on occasion.#I know this isnt my usual selfshippy post but. This is the episode in a show where a character goes to a concert and it changes their-#-entire life. Or at least bits of who they are. Insert one or two examples here.#And there were certainly some F/O thoughts while I was there and driving there and whatnot....#Okay back to your regularly scheduled Kane posting. I remembered the bits of the storyboard posted for M.oshi Monsters movie-#-while at the hotel so I got a slight photo dump that I might do later tonight so ther is that to aniticiapte.#yeah yeah I know I went five seconds without mentioning him but considering that a convo i had earlier today with someone was-#-“What if I let myself indulge in my feelings over him and it gets worse. My feelings intensify.”#and they responded with essentially “MORE good feelings to experience? Why not indulge?”#So. I dont know how it can get worse than daily occurence for almost three months and still Heavens Forbid i think about any fraction of-#-affection betqween us or I might as well start chewing dynomite.#please dont let him be the next big thing plEASDDONTTT I AM A BLOG THAT POSTS ABOUT PIIXAR CCARRSSSSSS.#out of any character i could have struggled to tal k about why did everyone have to be so encouraging abouit it with him.#I do think that has contributed a lot. Having a lot of positive reaction and zero negative ones and so it has made me far quicker to post-#-about many thoughts that I have about him. I do feel like I have been extra posting since. he.#Whereas when I was in like. strictly Cars days I mostly posted about when the dam broke and-#-hey im getting strondeja vu this is verbatim isnt it. ive said this like fifteen times before havent i.#Hey FunnyMitten creature can you keep one post not about you. This was about a band. N.No I dont care that you also- that doesnt count.#im not adding your tag you dont get that satisfaction right now. Sorry everyone.
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georgethem · 1 year ago
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airplane at the end of book 3
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potionwine · 7 months ago
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Oooh, you’ve also seen Nirvana in Fire?!? That was SO good. And as inspiration for PF?? That, explains some things, dang! It works
My friend. My dear. My lovely Cimi—
WHAT in the world—
Have I seen the drama that bloody changed my life; my favourite comfort c-drama; the series that I rewatch yearly the way I rewatch lotr every Christmastime; that exquisite story with the most incredible breadth and variety of characters with impeccable character work and amazing themes and an ending that respects its viewers which however tragic is thoroughly earned and identity porn and politics and pride and grief, god, so much grief—and an Emperor who is shakespearean in his tragedy and—
Okay. Okay, no, you could not have known, tis a failure of my part if I have not spoken enough about it—I probably mostly reply to other people's posts as they liveblog their watching but. BUT. God when I saw your ask it felt like you came up to me to remark "hey wow so you also ship PF?" that's how gobsmacked I was lol!!!
I have dragged everyone in my life into watching this show! I have mutuals on here who can testify to my introducing them to it omg. I just checked and the earliest NIF post I reblogged was in 2016 so I have been watching it every year since 2016 hahaha!!! Although it's pretty complex chinese, and since so much of the show is made up of characters sitting around talking the intricate plot into existence, it's not really a beginner-friendly c-drama either!!!
NOW I DIDN'T KNOW YOU'VE WATCHED IT TOO???!!!
I. have. been. going. UTTERLY MENTAL. at the lack of anyone with whom I could talk about it? OR SO I THOUGHT. So many times I thought of going into our discord to be like "has anyone ever heard of NIF because hhhhhhh the phoenixflare resonance" or like "so is anyone into TGCF perhaps perchance mayhap???"——because heh. hehehehe. heheheh??? My fic is practically a NIF/TGCF mashup, it's a Lin Shu+Xie Lian!Joshua Rosfield & Jingyan+Hua Cheng!Dion Lesage——and I CANNOT TELL YOU HOW MANY TIMES I wanted to ask god please does anyone else see my vision please god does anyone?? but no one would even understand the references, and I couldn't even ask in areas (asian fandom) where there would be a higher chance of people knowing what crack I'm on because asian fandom is all about that...you know...that I loathe—and I have been in pain and I thought right well fine I'm writing the fic anyway it's fine if I have no one to scream about it with because I'm writing it and then I'll find fellow competence porn+politics enjoyers if they find my fic and—and.
God. What an earth-shattering message to receive in my askbox! You are some sort of miracle <3
Do you see it??? Do you see it? A boy who burned to death in an inferno as an innocent betrayed youth in a catastrophic event caused by his own family, his father slain, his entire clan (and all the troops under his banner) wiped out or scattered. A boy reborn after extensive and horrific injuries after an agonisingly long period of recovery: a ghost who crawled his way out of the gates of hell, the last of his broken once-noble house.
That boy's transformation into his new identity of Mei Changsu/Margrace. His off-screen discovery of the truth that led to Meiling/Phoenix Gate and his continued on-screen quest to learn more. His determination to hold the true culprits accountable at immense personal cost and suffering. His dogged persistence despite incredible odds and visibly failing health. Being surrounded by people who love him and want to protect him, and himself constantly undermining their efforts because his goals are more important than his health. (Because in truth he knows perfectly well that he won't survive, but he can make a difference while he is alive.)
Something that amuses me hugely is how Lin Shu and Joshua literally both come back as 宗主? I love it so much! They come back with the same title! Both of them come back as clan leaders of an organisation that obeys their every command! Margrace is the 不死鳥教団の宗主(=leader of the cult of the undying bird) and Mei Changsu is ���左盟的宗主(=leader of the Jiangzuo alliance).
AND. Hooooo yea this PF fic is just JingSu at this point because oh, a handsome, principled, prideful, and stubborn prince who is a decorated warrior famed for his numerous military accomplishments and the man who is essential to the success of Lin Shu's/Joshua's plans? The resurrected boy barging into his prince's life: no matter how insane it is to choose your side, still "I choose you, Your Highness Prince Jing"??? The fact that the undervalued prince has a history with our secretive ghost protagonist? And (arguably) frequently thought about and missed the bright boy he knew once upon a time in happier days—"I know you," says Dion Lesage without a shadow of a doubt, extremely normal of him to instantly recognise a dead boy he met 20 years ago?
Mutual admiration of each other's integrity and capabilities? Reciprocal faith and remembrance? The foundation of deep respect and enduring friendship, their shared goals and shared family??? I froth at the mouth. JingSu are cousins, PF are stepsiblings by their parents' marriage. Each pair is bound by destiny and by choice—other people have made choices that permanently entangled each pair's lives together forevermore (Joshua+Dion and Jingyan+Xiaoshu), and the choice they themselves personally made to choose each other—
DO YOU SEE THE VISION.
How difficult it is to pursue justice when everyone involved is family and how impossible it is for Lin Shu the nigh-extinguished Chiyan fire for Joshua, the guttering flame, to indict Jingyan's father the Emperor of Liang Dion's father the Emperor of Sanbreque of his crimes against Joshua's family without opening old wounds and hurting many loved ones in the process including Dion himself. The people directly responsible for the tragedies are related to the protagonists in one way or another! If Lin Shu Joshua ever wants resolution for his grief unending, he has to strike at his beloved's father, and plot meticulously to avoid all of the dangers of attacking such a powerful enemy.
(Of course, I acknowledge the critical difference in Jingyan's versus Dion's feelings about their respective fathers.)
Now if only Joshua had done the famous blizzard scene with Dion instead of letting him go off to carry out his ill-advised coup—"Xiao Jingyan! You stand where you are! If I don't stop you today, what are you going to do? What do you think you can possibly accomplish if you charge in to challenge imperial power like this? Do you think you can simply force the Emperor [to do what you want/change his mind about Anabella Wei Zheng]? You have honour and valour but why do you just not have brains! How many more people must be hurt, you tell me!"
Anyway Joshy doesn't have the insufferable smugness of Xiaoshu but he does absolutely have Xiaoshu's pride, the sort of pride that is not just personal pride but familial pride too (after all Joshua comes from extremely prestigious lineage)—just look at how he speaks to Ultima in every scene, his lordly manner. Joshua I think has more Consort Jing to him, and Consort Jing is only my favourite character in all of NIF, in a drama where I love every character to bits—steel in softness, ever gentle ever polite yet not to be bullied and not to be underestimated and also extremely perceptive and learned and patient. Extra sweet bonus that Consort Jing is also a healer. Elegant, restrained, and very repressed. Who knows the depths of Joshua's Consort Jing's grief and loss?
But you know, Jingyan, near the end he is completely in charge—the prince who was always a great and respected general on the battlefield is now more than that, he's directly taking responsibility for all of his people as their future ruler—that means thinking on multiple fronts and exerting control over all of the key governing officials, not merely his military officers. He's leading with confidence, and there's that little scene where he apologises to Xiaoshu for taking action on several plans without consulting him, and Xiaoshu says no, this is the way it should be, this is the correct state of affairs: you are the crown prince, and this is rightfully your arena. You lead, you decide, you command.
Jingyan now sees clearly, he's found out and accepted the truths of his father's role in the atrocity at Meiling and everything that happened back then. He rightly perceives the failings of his family and seeks to redress past wrongs and avoid repetition of past mistakes, he weeds his court of the corrupt and the cowardly, he's become the best possible version of himself: stronger than ever, not just a powerful wartime commander-in-chief but an inspiring leader in the imperial court, careful, thoughtful and politically up-to-speed, finally stable in his sense of self instead of being permanently stuck as that angry and lost and hurting child. He has renewed purpose, he possesses hope for the future, he is able to dedicate himself fully to what he truly believes to be right and act in furtherance of righteous causes—
Critically, this is the man he becomes only because Xiaoshu came back into his life to shake it up. Without Xiaoshu he wouldn't even have the opportunity or means or knowledge. The radiant and fiery boy who Jingyan missed all his life came back to save him. From the outsider prince without contacts or support within the imperial court->to the crown prince who has the court subdued within the palm of his hand. From his pitiful existence as a neglected, unfavoured prince, his lowkey constant simmering resentment, his half-dutiful half-forced obedience of paternal orders that chafe at his conscience->into the steadfast and self-assured prince who is capable of fighting for the betterment of his country and the rallying point for virtuous officials who share those aspirations. The drama shows the audience that Jingyan is unquestionably ready to assume rulership, and together with the person he loves most, they achieve their goals, they save each other and their country (by arresting its downward slide due to the rotten state of its governance).
It's just a strong headcanon of mine (albeit one that I can absolutely present extensive arguments for) but to me Joshua Rosfield is the one and only character able to perform that same abovementioned function for Dion Lesage. Catalyst, turning point, spark that ignites the fire—whatever you call it, this is salvation. It is beautifully poetic that both Lin Shu and Joshua are characterised by fire. They are the fires of change that burn away the old life: before their arrival, the two war princes exist in a state of wearying routine, long-suffering and almost hopeless. Both Jingyan and Dion are shackled by their stations and duties, both are unloved sons with virtually no chance of their circumstances improving without drastic action, and both are trapped in precarious situations where they are subject to the whims of their father (if their imperial fathers turn on them, it will result in irrevocable loss of their status).
Dion's position is weak in the Oriflamme imperial court—pretty sure this point isn't up for debate, since no one ever speaks up in support of him despite the obvious injustice of his ill-treatment. His degree of influence in the court is much, much, so much less than any reasonable person might expect someone who is literally Bahamut and crown prince to have. The Council of Elders and other officials stand by haplessly while he is progressively stripped of power in favour of Olivier. Nobody defends him, nobody objects. (Or maybe some did, and were eliminated.) Even Dion himself submits to the abuse despite inherently superior abilities. Career politicians know which direction the winds blow—they don't defy their Empress, meaning they are either her cronies or too fearful of her to make themselves a target by any raising any opposition. Added to that is the implication that Dion was often away for long periods—and as Xiaoshu explicitly tells Jingyan in the drama, the crown prince cannot leave the imperial capital untended because that is the surest way to lose power. Dion may be Sanbreque's mightiest weapon and revered by the populace, but in practice his political sway is almost negligible. He is not able to leverage himself effectively.
Don't get me wrong, for these reasons I extra extra love the canon portrayal of J*** obeying Joshua against her wishes and T****** obeying Dion against his wishes—I absolutely think their obedience is, to them, the truest and highest and final demonstration of their love and understanding of their respective masters. And both Joshua and Dion expected no less from them. [I've not typed the names out just in case the search function ends up capturing the post and putting it in their tags, not because I hate those characters; I just don't want to be uncivil within fandom.]
But the very point here is that, you know, sometimes you aren't supposed to leave someone just because they say so. Sometimes it is the worst possible course of action to obey someone just because they command it. Sometimes it is undesirable at best and disastrous at worst to support someone's every decision out of unchanging (if uncharitable, one might even say unthinking) loyalty. That is a fundamentally unequal relationship, and while beautiful in its own way, is also uniquely doomed. The truth is, Joshua was always going to pull that trigger, and Dion was always going to pull that trigger: the master was always going to sever the relationship. Those pairs were doomed as soon as they began, because one party can only ever say yes, and yes means the end, you see? That is The End, that is the final break. By their very subordinate nature and by their established personalities within the game, "yes" is the one and only answer J*** and T****** can ever or will ever give. Their master will say, "Leave me", meaning it is over, and they will reply, "Yes, I obey". Because this is the only answer that proves their devotion, leaving them totally incapable of changing the script. Both J*** and T****** knew it and played their parts to perfection, and my heart hurts for them.
In NIF terms, I reckon J*** is Gong Yu, and T****** is Lie Zhanying. Zhanying will follow Jingyan to the end, whatever it may be—in fact in one episode he explicitly says so, and his loyalty is never in doubt. He will go to his death if Jingyan orders it. He will always support Jingyan's decisions. He and the rest of Jingyan's men have been following Jingyan even when the prince was out of favour and cold-shouldered and constantly dispatched to safeguard the country's frontiers—inconvenient places where comfort is low and the environment harsh. Jingyan's favoured brothers live in the lap of luxury within their palaces (like Olivier), while Jingyan himself (like Dion) has always been at war. And as with Zhanying, T****** will never be able to change this status quo on behalf of Jingyan (Dion). For all his boundless dedication to his lord, Zhanying will never be able to improve his prince's standing in the court, never be able to secure more political power for his prince (unless his prince decides to revolt/coup), never be able to make his prince's father love or prize his prince.
It is not a problem of character or willpower or desire. It is, simply put, a problem of power. It is a problem of class. The servant rises as their master rises, and falls as their master falls. In other words, the servant's status is determined by their master's status. Zhanying is Jingyan's deputy. When Jingyan's status was elevated, Zhanying naturally also assumed commandership over more troop divisions because those were allocated to the prince by the Liang Emperor. (There is no doubt in my mind that T******'s status as second-in-command is because of Prince Dion. He's too young to have earned that position by gradual promotion through meritorious accomplishment. Unless you're telling me that the knights dragoon don't have a single officer above age 30.) Zhanying is invaluable to Prince Jing in security, in warcraft, and in a variety of generic daily tasks. However, he is part of the rigid imperial system and lower in the hierarchy. He may persuade his lord, but he cannot order him. He may disagree, but he cannot defy. He may privately despise the Emperor/Empress, but he cannot show it and cannot act on it (literally treason). His role is to follow and obey. If he does not perform that role for whatever reason, he fundamentally negates his utility to his lord.
Ergo, endgame Jingyan is only possible because his true equal and soulmate, his real zhiji, came back to challenge the status quo. In fact, came back to challenge him. It is not merely the fact that this person understands him above all, it is also the fact that this person has the ability to act on that understanding. Jingyan is technically also Xiaoshu's prince, master, and eventual Emperor—so where is the difference?
The difference is, Lin Shu is comparable in nobility. Lin Shu is the cousin of princes and the incumbent Emperor's nephew, Lin Shu was raised amongst the imperial household, and played and studied and fought and hung out with them as peers of roughly equal rank. In this respect Joshua actually outstrips Lin Shu: Joshua is a prince by blood, and had Rosaria not fallen (especially if Sylvestre had not risen to the throne), would have been higher status than Dion. It's a massive pet peeve of mine that so many fans in XVI fandom don't seem to realise that Joshua was crown prince? Everybody knows Dion is crown prince, but do they realise Joshua is the original? In the English version prologue, the knights do call him "prince" and "your highness". The Rosarian throne is Joshua's by right of birth. At the time of their meeting as children, Joshua outranked Dion. They were equals as Dominants of their nation, but Dion back then was the child of a Cardinal and not the child of Sanbreque's ruler at that time; i.e. he was not a prince and not in line for the Sanbrequois throne.
The other wonderful similarity is Lin Shu's and Joshua's statuses as outsiders to the system when they reintroduce themselves to Jingyan/Dion. As Jingyan's strategist, Lin Shu has more leeway with regards to making his prince listen to him and take his advice. But importantly, he is now Mei Changsu, and that means he is able to play outside of the system. The imperial system effectively cast him out when it killed him. The strict codes of imperial conduct no longer chain him as they chain those confined within its structure. As a free agent unlike Zhanying, he has the right and privilege of choosing his own master. That includes the right to leave or to change his mind. And although the prince's strategist is supposed to be subordinate too, Xiaoshu would never truly be subordinate in the same fashion no matter how many times he bows his head, because at his core he is still high nobility and it still shines through despite everything. His manners are still perfect. He still navigates life with the easy expectation that people will serve him. He grabs the Duchess' hand and yells at Prince Jing and gloats at Marquis Ning. It's all the little ways that remind the audience, over and over, that this man was raised as a posh lordling. You can remove the boy from the upper class but you can't remove the upper class from the boy. It's the same with Joshua. His manners are still court-perfect. He still moves through life accepting that he will be served. He may bow his head to Dion and call him "your highness" but he also takes the liberty of throwing himself at Dion for a hug. Because to him, the prince is not some lofty and untouchable figure to be addressed with unfailing deference, he's just a friend.
(I know T****** is minor nobility, to be honest Zhanying definitely is too. The deputies of high level royals aren't going to be commoners. But I don't think I have to explain the gulf between ruling class/a close blood relative of the monarch versus lower nobility.)
Joshua too is an outsider that isn't beholden to Sanbreque's Emperor in the way that all of Dion and his knights owe their fealty. Again in this respect Joshua has it better than Xiaoshu—Joshua is his own sovereign master, and that should impact his perspective, his sense of self, and therefore his behaviour with others and how he navigates the world.
Gong Yu... I think anyone who's watched NIF will know exactly why I say that J***'s counterpart is Gong Yu lol. I think the s/h/u/a/t/e/s want her counterpart to be Princess (Duchess) Nihuang and they certainly produce fanwork in that vein, and I respect them for it because fans be doing what they love and hooray for that. But..... she's Gong Yu.
For all these reasons I am utterly obsessed with a Joshua that pushes back at Dion. The person able to challenge the status quo and challenge Dion. An equal who listens to Dion's absurd speech in the palace at Twinside and calls utter bullshit, who says, "A matter for the imperial family? are you joking? that's my mother, that's my younger brother. an imperial matter for you to resolve? say rather, our family, OUR problem to resolve. You don't get to go off half-cooked to arrest or kill my mother without actual political strategies, notwithstanding your military capability to launch a coup. And also, what about your dad? However much I love you, my darling Dion, we have to talk about the way that you insist on poor little meow meowing your awful father because my dear old mum didn't do Phoenix Gate alone and she for sure didn't immaculately conceive Olivier."
Endgame Dion isn't satisfactory in several glaring ways and it annoys me hugely that even unto the end he never grapples with and confronts the truth of his father instead of the idealised version that lives in his head. It's a little bizarre how Dion's arc is often praised by fans, since it feels very incomplete to me. Or, well, fine, perhaps just unsatisfying (since XVI simply isn't his story). His deep-seated need to be loved by his father prevents him from seeing anything clearly, which is so ironic for the only character to possess a third eye in canon? His honour and his might have been squandered in service to a selfish, uncaring, and objectively bad monarch, yet despite how earnestly Dion wants to be a good prince to his people he seems wholly incapable of recognising this fact? His mind repeatedly shies away from his father's shortcomings. In one scene he calls his father out for words befitting a tyrant, yet ultimately he persists in the belief that his father simply needs to be saved from Anabella's evil influence as if Sylvestre Lesage isn't a 50-year-old adult man who schemed his way to the throne and killed a woman's whole family and happily married that woman to beget legitimate offspring with her.
Soooo....... I've just spoiled the whole plot of my fic but it's really just NIF nonsense as usual and that is actually extremely predictable of me. But honestly the spoiling is not a big deal, because as with NIF, fundamentally my story is not meant to be plot-twisty and suspenseful—the real storytelling skill of the NIF drama is that the audience should be able to quickly grasp the overarching plot with no difficulty because the pleasure of this particular type of story is to watch the protagonist achieve their heart's desire, step by delicious step. The objective of this type of story is to properly pay off what it promises. NIF=the wronged protagonist seeks justice. We already know Lin Shu will obtain justice by the end of the tale, what we are here to enjoy is the journey! Same really for IEM I reckon; by the end of chapter 1 Joshua's goals should be really obvious, and since my little fic will have the happy ending tag because I only ever write happy endings, the audience basically knows he'll succeed—it's very much a journey not destination kind of story.
Ooof the post is crazy long and took me 3 nights to compose an answer and I haven't even managed to go into any TGCF elements but that work mainly contributes to characterisation instead of plot. One of the craziest XVI scenes was the Hideaway's sickbay after Twinside, the genuine regret Joshua expressed and how he blamed himself for not reaching out to Dion sooner; now the Empire and her prince lie in ruins etc. Surely he remembers this is the country that destroyed his own? Surely??? What kind of person, robbed of home and throne, can find it in himself to respond with so much empathy and kindness? Sanbreque has now experienced pretty much the same tragedy they inflicted on Rosaria two decades ago, and isn't that just the funniest parody of divine retribution? Instead of viewing this as Sanbreque's just deserts, Joshua Rosfield pities them and wishes he could have helped them avert this disaster.
!!!!!!!!!!!!!!!!!!!!!
Wonderfully Xie Lian-coded. Something something someone who has been through the worst and nevertheless chooses goodness and kindness. Someone who intimately understands the ugliest and lowest depths that people sink to, yet refuse to lose themselves in that temptation even when vengeance would seem perfectly justified.
You've known for a long time now that I love a Joshua who is very similar to his mother. This is why lol. It's about that delicious, delicious contrasting foil. It is the difference between Jun Wu & Xie Lian, as it is the difference between Anabella & Joshua. That the indestructible integrity we see from Xie Lian or Joshua didn't come easy, they weren't born perfect, their ethics were tested and forged and earned through suffering the likes of which most people will never know. The person that they have each become is the sum of their choices actively made. In the canon of TGCF and XVI, both of these ex-crown-princes live on in disgrace, in circumstances best described as reduced and humiliating, their respective kingdoms fallen, their wealth and glory spent—but they are better and braver human beings than everyone around them, they are beautiful and noble souls, quiet and unacknowledged, and only Hua Cheng and Dion truly see and fully understand that (and therefore cannot help but love them utterly).
I've a few more thoughts regarding Joshua swirling around as captured in other Xie Lian posts: here, here, here, and here. Not sure if you know TGCF or are into it as well, but just leaving links to those posts here for my own benefit too. I've been gravitating towards phoenixflare comparisons in various hualian meta posts since early 2024 so clearly these concepts have been stewing in my head for some duration, but I haven't fully teased out what it is about these two ships that gives me that niggling sense of connecting similarities.
^ Whereas I clearly know exactly what it is about JingSu that makes me point and holler "THEM!"
#that was a whopper of an answer#THANK YOU KATIE for giving me the opportunity to gush about this <3 <3 <3#i didn't even say everything i wanted to#brain is pretty cooked i can't wait to sleep in every day between christmas and new year#i hope my thoughts and concepts will actually come through in my fic but to be honest i am worried about the skill issue LOL#also nirvana in fire has a huge cast because political stories require a lot of moving parts and i'm worried about introducing too many ocs#literally the ocs are only there to support the plot they are extremely secondary to joshua and dion#but one simply needs more undying and more rosarians and more sanbrequois persons to work with for such a story you know?!?!?!#also this doesn't fit in the main post but the servant saying no to the master is possible and would herald a significant change#'no' is a shock to the system and sometimes that's exactly what is needed#saying yes to the status quo reaffirms it and solidifies any imbalance#it is precisely the narrative importance of elizabeth rejecting darcy's first proposal in p&p#acceptance from her would be tantamount to condoning his insult of her and her family#it'd have the effect of saying “i agree and/or i am prepared to overlook everything in submission to you”#and each time this occurs it reinforces the imbalance until it reaches a state of permanence#until it becomes the default that neither party can deviate from#no might be the very thing that prompts him to reconsider himself and his assumptions and reflect on his conduct and values#prompts him to consider exactly how he views [] and relearn how to appreciate [] in a new and different light#it's extra tricky when yes=love and devotion while no=shakes the boat and unpredictable and adds stress in already trying times#but!!! in an equal relationship partners must be able to impose on each other! rightfully take up time and space in another's life!#to never ever ever be an inconvenience is not healthy love it's servitude it's shrinking oneself it's being secondfiddle in one's own rship#look it's practically a whole chapter of my pf manifesto ahahahaha#it's not all social class there are other chapters like long slim legs are best slung over strong broad shoulders#and prince with obedience kink requires a partner in whose moral character he has absolute faith#iem#potion’s periodical
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baejax-the-great · 1 year ago
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Miranda telling Shepard that this is the best Cerberus project she's ever worked on after only two missions is so fucking funny.
Girl this whole thing started with you shooting your assistant in the face
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opens-up-4-nobody · 1 year ago
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...
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akuikami-aa · 1 year ago
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anyways ‘sorcerer’ suku idea where he’s reincarnated into his own body and, instead of killing him a deal is struck with the higher ups and the only reason he behaves is because he’s reunited with his husband
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reasonsforhope · 2 months ago
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"Tim Friede’s YouTube channel is home to a collection of videos depicting the Wisconsin-native truck mechanic subjecting himself to purposeful snake bites, blood slowly dripping down his arms.
For the past 20 years, Friede has been one of the most notorious “unconventional” medical researchers, undergoing over 200 bites from the world’s deadliest snakes — and more than four times as many — 850 — venomous injections. 
He did it all in the name of science.
According to the World Health Organization, an estimated 100,000 people are killed by snake bites each year, with countless more being disabled by the venom of the deadly reptiles. 
While life-saving anti-venom is available, very few countries actually have the capacity to produce it properly, given that most bites occur in remote and rural areas, and anti-venom requires arduous sourcing and accuracy. 
But Friede’s blood is now full of antibodies, following decades of strategic exposure to the neurotoxins of mambas, cobras, and other lethal slithering critters.
His blood is now the source material researchers are using to develop an anti-venom capable of neutralizing a broad spectrum of snake bites...
Friede started this hobby — which he is indeed adamant no one else tries at home — out of sheer curiosity in childhood. After playing with harmless garter snakes in his youth, he began keeping more dangerous species of snakes as pets. At one point, he had 60 of them in his home basement.
In 1999, he began extracting venom from his snakes, drying it, diluting it, and injecting himself with tiny doses — keeping meticulous records as he went.
He had one major hospitalization in 2001, when he was paralyzed and in a coma for four days. But instead of giving up, he doubled down. 
“In hindsight, I’m glad it happened,” Friede told The Times. “I never made another mistake.”
Jacob Glanville, an immunologist and founder of biotech company Centivax, stumbled on Friede’s videos.
Now, Friede is the director of herpetology at Centivax and serves as something of a “human lab” to Glanville.
“For a period of nearly 18 years, [Tim] had undertaken hundreds of bites and self-immunizations with escalating doses from 16 species of very lethal snakes that would normally a kill a horse,” Glanville told The Guardian.
“It blew my mind. I contacted him because I thought if anyone in the world has these properly neutralizing antibodies, it’s him.”
To develop the new anti-venom, Glanville and his fellow researchers identified 19 of the world’s deadliest snakes — in the elapid family — which kill their prey by injecting neurotoxins into their bloodstream, paralyzing muscles (including the big, important ones, like the heart and lungs).
The trouble is, each species in the elapid family has a slightly different toxin, meaning they would each require their own anti-venom.
But Friede’s blood contains certain fragments of each of these toxins; protein molecules seen across the various species. Because of his decades of service to science, his blood also contains the antibodies required to neutralize these toxins, preventing them from sticking to human cells and causing harm.
Combining the antibodies LNX-D09, SNX-B03, and a small molecule called varespladib that inhibits venom toxins, Centivax has successfully created a treatment effective against the entire range of 19 species’ toxins.
Their work, which was recently published in the journal Cell, will soon be tested outside of the lab. 
Trials will start with using the serum to treat dogs admitted to Australian veterinary clinics for snake bites. Assuming that goes well, the next step will be to administer human tests.
Researchers also believe that because the serum stems from a human, this should also lower the risk of allergic reactions when being administered to other people. 
“The final product would be a single, pan-anti-venom cocktail,” Professor Peter Kwong of Columbia University, a senior author of the study, told The Times.
Or, he added, they could make two: “One that is for the elapids, and another that is for the viperids, because some areas of the world only have one or the other.”
As for Friede, he maintains his affinity for snakes, though his last bite was in November 2018, when he said “enough is enough,” according to The New York Times.
By then, he had certainly done enough. His pursuit of immunity could feasibly save countless lives.
“I’m really proud that I can do something in life for humanity,” Friede told The New York Times, “to make a difference for people that are 8,000 miles away, that I’m never going to meet, never going to talk to, never going to see, probably.”
-via GoodGoodGood, May 2, 2025
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mncxbe · 3 months ago
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# . ݁₊ ⊹When you transferred to Shiratorizawa during your second year you didn't expect to have a full blown crash out in the first week. As a new student, there were many things you needed to take care of— bringing documents back and forth from the secretary's office to the medic to the PE teacher. Just as you were entering the gym to drop off the last papers, the file tucked between your chest and the cup of iced coffee in your hand, scrolling on your phone, a volley ball came crashing against you. You froze, looking down at the coffee spilled over uniform and documents before looking up to see a guy jogging towards you. "Sorry, miss–" he began but you quickly cut him off, throwing your hands up in the air.
"Dude what's wrong with you? Can't you aim?" you huffed angrily, cringing at the feeling of the wet shirt clinging to your skin. "I was literally on the side of the court didn't you see me there?"
And so you went off at the massive guy in front of the whole volleyball team until you eventually stormed out of the gym, your face flushed from anger. Unbeknownst to you, Wakatoshi Ushijima was hooked. Staring aimlessly at your shrinking figure, anxiously grasping the volley ball in his hands, Ushijima tried to make sense of the strange flutter in his chest. And from that day on he followed you around like a puppy, his sharp gaze finding you in the cafeteria during every break. Despite his friends' taunts and comments about how whipped he was for the new mean girl in school he always came to sit by your side, bringing you a little treat— a soda, milk bread or whatever cake the cafeteria was selling that day. You thought it odd at first but figured he wanted to make up for the unfortunate accident on the day you met so you let him stay.
And Ushijima stays, silently at first, looking over your frame with that stoic expression of his, his eyes following your manicured nails tapping relentlessly at your phone. "Do you have something to say or what?" you snap after a few days of this behaviour, looking him over and Ushijima feels dizzy from how pretty you look with your brows pinched together and that angry little pout on your face. "I was wondering if you don't like the fruit cake. You haven't touched it."
You roll your eyes, pushing the cake towards him. "I don't eat kiwi, it's gross." Ushijima nods, staring blankly at the tart as he rubs his hands together. "They don't have anything else today." he begins and before you can spit another biting comment he speaks up again. "Maybe we could grab something else after class? If you want."
The captain's words make you pause for a second, his earnest look softening your anger. You finally notice how nervous he seems, fidgeting under the small table in the cafeteria while waiting for an answer. Then it occurs to you that maybe you are too bitchy to him— after all, why hold a grudge against some guy who you just met? One who was handsome, polite and bought you sweets too. So instead of throwing another scathing remark at him you nod. "Alright. But only if there's no tart."
Ushijima visibly relaxes at your approval, a small, hopeful smile tugging at his lips. "Yea, no tart. Got it."
Yea, his friends were right. He was totally whipped.
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saja-star · 2 years ago
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I've had a hard time articulating to people just how fundamental spinning used to be in people's lives, and how eerie it is that it's vanished so entirely. It occurred to me today that it's a bit like if in the future all food was made by machine, and people forgot what farming and cooking were. Not just that they forgot how to do it; they had never heard of it.
When they use phrases like "spinning yarns" for telling stories or "heckling a performer" without understanding where they come from, I imagine a scene in the future where someone uses the phrase "stir the pot" to mean "cause a disagreement" and I say, did you know a pot used to be a container for heating food, and stirring was a way of combining different components of food together? "Wow, you're full of weird facts! How do you even know that?"
When I say I spin and people say "What, like you do exercise bikes? Is that a kind of dancing? What's drafting? What's a hackle?" it's like if I started talking about my cooking hobby and my friend asked "What's salt? Also, what's cooking?" Well, you see, there are a lot of stages to food preparation, starting with planting crops, and cooking is one of the later stages. Salt is a chemical used in cooking which mostly alters the flavor of the food but can also be used for other things, like drawing out moisture...
"Wow, that sounds so complicated. You must have done a lot of research. You're so good at cooking!" I'm really not. In the past, children started learning about cooking as early as age five ("Isn't that child labor?"), and many people cooked every day their whole lives ("Man, people worked so hard back then."). And that's just an average person, not to mention people called "chefs" who did it professionally. I go to the historic preservation center to use their stove once or twice a week, and I started learning a couple years ago. So what I know is less sophisticated than what some children could do back in the day.
"Can you make me a snickers bar?" No, that would be pretty hard. I just make sandwiches mostly. Sometimes I do scrambled eggs. "Oh, I would've thought a snickers bar would be way more basic than eggs. They seem so simple!"
Haven't you ever wondered where food comes from? I ask them. When you were a kid, did you ever pick apart the different colored bits in your food and wonder what it was made of? "No, I never really thought about it." Did you know rice balls are called that because they're made from part of a plant called rice? "Oh haha, that's so weird. I thought 'rice' was just an adjective for anything that was soft and white."
People always ask me why I took up spinning. Isn't it weird that there are things we take so much for granted that we don't even notice when they're gone? Isn't it strange that something which has been part of humanity all across the planet since the Neanderthals is being forgotten in our generation? Isn't it funny that when knowledge dies, it leaves behind a ghost, just like a person? Don't you want to commune with it?
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autistichalsin · 11 months ago
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In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.
Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.
Sounds awful familiar, doesn't it?
Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.
More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.
But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.
A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.
Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.
So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.
Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.
It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.
There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:
The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”
A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.
It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.
And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.
Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.
Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.
So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.
Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.
So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.
And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.
And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.
And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.
Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.
Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).
It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.
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cherienymphe · 5 months ago
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Camera Shy
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Rafe Cameron x Reader
Summary: Your brother comes up with a way to make fast money when you've found yourself deep in debt.
warnings: stepcest, loss of virginity, breeding kink, kook!reader, non canon ages
➥ banner by @vase-of-lilies | ➥ divider by @firefly-graphics
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You took deep breaths through your nose as Rafe instructed, lashes fluttering at the foreign and indescribable feel of his cock sliding between your wet folds. Your knees touched your chest, the soles of your feet pressed against Rafe’s own chest, and when you looked up at him, you found his gaze focused on where he disappeared into you.
When your brother came up from Kildare County to visit you for the first time this semester…
This was not what you had in mind.
Blood related or not, Rafe had never been anything but the older brother you were blessed with when your mom married his dad all those years ago. He was a little rough around the edges—always had been—and you knew that his behavior with you was the exception, not the norm, but it never occurred to you that his reasoning behind that went beyond familial affection. Why would it?
He treated you like any normal brother would.
He scared off boys who were a little too bold with their interest in you, he sometimes let you sleep in his bed when the thunder outside got to be too much, and he didn’t think twice about picking you up from some party you weren’t supposed to be at. You knew he’d do the same for Wheezie if she asked. Sarah was the only exception for less than enviable reasons.
…maybe Ward’s favoritism of Sarah contributed to your own soft spot for Rafe.
Anyone with eyes could see it no matter how much Sarah liked to pretend otherwise, and there’d been so many times you felt sorry for the oldest Cameron. No, he wasn’t perfect by any means, and yes, sometimes he absolutely deserved the verbal lashing from Ward, but you’d be a fool to deny the absolute disregard Ward gave Rafe even when he did try.
Rafe just wasn’t anyone’s favorite.
…so he became yours.
“You’re doing good,” he murmured, pulling you out of your thoughts.
You blinked up at him, and his gaze lifted from your breasts to meet your gaze.
“Like this?” you breathlessly wondered, a hand on your chest, massaging a hardened bud between your fingers.
“Don’t ask me,” Rafe purred, his free hand joining yours. “Does it feel good?”
The nod you gave him was shaky, and you watched Rafe’s tongue dart between his lips. He dipped his hips a tad when he thrust into you, making you gasp at the feel of his cock hitting something inside of you that you didn’t know was there. When he shined the camera light in your face briefly, you turned your head.
“Sorry,” he choked out, but he didn’t sound all that sorry. “I’ll blur that out.”
His thrusts had your toes curling, and you pushed your feet against his chest.
“I don’t…I don’t want Ward or someone else to find this and know it was me,” you struggled to say, breath hitching when Rafe slammed into you.
Rafe replied after some time.
“Don’t worry, angel,” he whispered. “They won’t.”
Angel.
It was funny how a normal nickname that you were used to hearing all the time sounded so different, now. Of course, all the other times, Rafe had never been inside of you. He’d been dropping you off somewhere or convincing you to do the dishes instead or looking for you the minute he woke up at twelve in the afternoon. Now, with Rafe plunging his cock into you, the sound of it made you shudder.
“It’s kind of crazy how fitting that nickname is,” Sarah said one day. “…because I swear you’re the only one that can actually get Rafe to behave.”
You both chuckled at the comment, but now you were doing anything but laughing.
Your free hand trailed down to touch yourself, and Rafe made a noise of approval at the action.
His hand left your breast to cover yours between your legs, guiding your fingers and rubbing them over your bundle of nerves. The feeling—when combined with his thrusts—made you flutter around him, and Rafe let out a deep moan. It went straight to your stomach, loving the sound, and you looked up at him.
His gaze wasn’t on you anymore, and as you stared at him, you were surprised how weird you didn’t feel about this.
Going off to UNC had sparked varying reactions in your household. Rose was only happy for you, Wheezie too, but both Sarah and Ward held some concerns you never even knew they had. Something about your sheltered upbringing and wondering if you were ready. You’d been offended, of course. After all, going off to college had always been the plan and Ward knew that, so being treated like some child baffled you.
However, you were even more baffled when Rafe didn’t back you up.
“What do you mean?” you’d asked him the day you got your acceptance letter. “You don’t want me to go…?”
Even though Rafe was silent for a long time, you could see it on his face.
He didn’t want you to go.
“It’s so far-.”
“It’s four hours,” you’d interrupted, in disbelief that Rafe of all people was not on your side.
“It’s far enough.”
You remembered thinking how much he resembled a child—pouting—and you’d huffed. You hadn’t been able to stop the tears from kissing your eyes, and you’d folded your arms over your chest.
“Why aren’t you happy for me?” you’d asked in a small voice.
That had Rafe looking up, and you didn’t miss the way his face fell with one look at your own.
“I am,” he’d assured you. “I’m so happy for you, but… What if something goes wrong? What if some asshole gets too aggressive with you? I’m not going to be there to pick you up from parties and hold your hand when a hurricane comes through.”
You’d looked down, shifting on your feet.
“I know that, Rafe…but I’m an adult, now. I have to figure things out for myself.”
You could tell he hadn’t liked that answer, but despite how much Rafe made it clear that he didn’t want you to go, he did help you pack before the semester started. He’d also helped you move in with Ward and Rose’s help, surprising them both.
“Don’t think I won’t be dropping in unannounced.”
Rose had scolded him that day, but you’d only rolled your eyes. You were used to Rafe’s protectiveness, and as much as you desired independence, you couldn’t deny how much you enjoyed the thought of Rafe visiting you on campus.
…and visit you, he did.
It was almost admirable, really, the way he managed to swoop in at some of the most inconvenient times. The night you were considering going to some party or the night you’d gotten locked out of your house or the time your roommate had guys over. The memory of that evening still weighed on your chest, recalling the way Rafe hovered and the way the guy you were supposed to be set up with was forced to keep his distance.
“You were scaring him,” you’d whined later that night.
“…and you want a guy that jumpy?” he’d snorted, taking off his shirt and relaxing on your bed.
Rafe had overstayed his welcome and had no choice but to stay the night. Granted, a hotel was always an option, but you would’ve felt shitty making him book a hotel when you had a perfectly fine queen-sized bed.
“If some chump is that intimidated by your big brother, then he isn’t the one for you,” he’d whispered in the dark as you faced him. “You’re the kind of girl who needs looking after.”
The words had soured in your mind, and you hadn’t responded.
You hated that Rafe saw you that way—that almost everyone did—but it was only some months later when you were forced to admit that maybe Rafe was right. Being so far away from home for an extended period of time for the first time in your life clearly got to your head. You found yourself confronted with so much temptation and opportunities.
Before you knew it, you’d maxed out two credit cards and was struggling to make ends meet with the extra money Ward and Rose were sending you. The day your payment was declined while in some fancy store was burned into your brain, and you hadn’t even realized how much debt you’d collected until you were on the phone with a representative from the company.
The whole situation sucked, but more than anything, it sucked that you proved everyone right.
Especially Rafe.
So, when he unexpectedly showed up on your doorstep this morning, you wanted to be sick.
“Rafe,” you’d breathed. “I didn’t know you were coming.”
The blond had silently stood at your door, expression unreadable, and it had taken him a minute to finally reply.
“You never know I’m coming,” he’d drawled, brushing by you. “What makes this time so different?”
“No reason,” you’d hurried to say.
You suspected then that he caught onto something being wrong, but you’d forced yourself to write it off. Despite engaging in conversation with you, you hadn’t missed the way Rafe strode about your place, those blue eyes of his taking everything in with an attention to detail you weren’t used to.
“So, why are you here?” you’d wondered.
Your question gave him pause, and you hadn’t missed the glint in his eyes then.
“What…?” he’d asked, nearing you. “I can’t drop in on my baby sister and see how she’s doing?”
He’d held your gaze with an intensity you weren’t used to, and you’d looked away.
“No, of course, you can. I was just…curious.”
You should’ve known that Rafe knew more than he let on when he opened your fridge and merely hummed at the lack of food in it. For obvious reasons, you didn’t protest when he suggested ordering food, and it was when you found yourself leaning against the counter with a handful of pizza did he finally drop the bomb.
“You’re lucky I pay more attention to the mail than they do.”
His biting words were accompanied with the slam of a few envelopes on the counter, and your heart dropped when you realized what they were—credit card statements. His hands on the counter caged you in, but you could hardly move anyway with how much shock you were in, flipping through them all with parted lips.
It didn’t take him long to start tearing into you.
“I knew this was a bad idea. I knew that at the very least, I should’ve moved up here with you,” he’d sneered.
“Are you going to tell Ward?” you’d tearfully asked him. “If he knew how much I messed up he’d cut me off so fast.”
“He probably should,” Rafe had told you with a frown, making your tears spill over.
He’d softened some at the sight of them, and you’d collapsed on the couch.
“I didn’t even realize I’d been spending so much,” you cried to him. “…and I keep trying to get a job to fix this but I just can’t get hired anywhere.”
At your rambling, Rafe had knelt before you, his hands on your knees as he shushed you. You’d struggled to hold his gaze as he wiped your face, trying to calm you down. When your breathing settled some, Rafe took your hand.
“I can’t imagine you behind somebody’s counter, anyway,” he’d softly said, thumb grazing your skin. “Breaking your back and coming home exhausted. You need to be focused on school.”
“…but Rafe-.”
His hand gently landing on your mouth had you swallowing your words, and you’d blinked at him as he traced patterns into your skin.
“Look, I know how to get you money—plenty of it and fast.”
His words had given you pause, making you perk up some.
“…but you’ll have to trust me,” he’d murmured.
You did trust Rafe, with your whole heart, but his next words still made your heart drop.
“Rafe…I don’t think I can do this,” you found yourself whispering an hour or so later, swallowing at his gentle grip on your throat. “
…besides, we… I mean…”
You didn’t have to finish voicing your thoughts, troubled gaze meeting his.
“It’s just a little way to make you fast money. It’s not like anyone will know it’s us…” he’d murmured, lips brushing yours. “…and it’s not like we’ll be running the risk of accidentally having questionable children or something.”
You knew what he meant, understood what he was getting at, but it still felt…wrong to you. Or at least, like it should be. Rafe had never been anything other than the brother you met years ago, and here he was, kissing you and convincing you to let your first time be with him…and on camera, no less.
“People love that amateur porn shit,” were his oh so eloquent words.
Despite how you initially felt about it, you still found yourself on your back and bent at the edge of your bed while Rafe stood before you, phone in hand. His words of encouragement filled your ears as he circled your clit with his thumb, the head of his cock slowly pushing into you. He’d had his face between your thighs for some time before that, telling you he needed to get you nice and ready for him.
“Fuck, you’re tight,” he’d hissed as he continued to push his way into you.
When he was flush with you, both of your chests heaving, he finally acknowledged the elephant in the room.
“You okay, angel?”
It wasn’t as painful as you always expected it to be—you surmised that had more to do with Rafe than anything—but there was still a dull painful ache accompanied by the burn of being stretched out. At your shaky nod, Rafe merely gave you a half smile, leaning over to kiss you before straightening and starting a torturously slow pace.
“Do you hear how wet you are? Hmm?”
You could, and you might’ve been embarrassed if it weren’t for the look on Rafe’s face.
“So wet…and tight…and all mine,” he breathed, the phone light bright as it shone on where you greedily sucked him in with every thrust. “She’s dripping for me.”
You felt like you were in a blissful daze, lying there and taking his thrusts. Rafe had a way with words and making you squirm from more than just the feel of him stuffing you full.
“They’d pay big money to see me fill you up, angel.”
You slowly blinked at him, frowning slightly and not understanding him at first. However, when his free hand left your clit alone and instead reached for himself, realization hit you.
“Rafe…”
Your tone held warning, but Rafe pulled out anyway, a hand on his cock as he leaned in to press his lips to yours again. What a strange way for you to realize that not only did you like kissing, but you liked kissing Rafe.
“It’s going to look so good on camera,” he purred. “Just thinking about my cock twitching as I come inside of you…pulling out and watching it all drip out of that virgin pussy…”
The thought did have you clenching down on air.
“It’s your first time… You should know what that feels like—to get fucked raw.”
Your lack of protest boldened Rafe, and you felt out of control when the tip of him touched you again, only without latex between you this time. He was slow to slide into you, a groan escaping him the same time you moaned as you both basked in the feel of his bare cock fitting snugly inside of you. You threw your head back, and Rafe told you to keep touching your breasts.
You couldn’t deny the difference as he slowly rutted into you. The camera shined light on your stomach and chest and back down again as he moved the phone. His now powerful thrusts turned you into a wanton mess, absentmindedly massaging your nipples in time with his hips. Rafe’s free hand was on you again, rubbing your mound and folds and clit, occasionally spreading you further to really get a good look at the way his cock pushed into you.
The squelch of your core was loud, and you could feel the way you were dripping around him.
Your bed squeaked under the weight of his thrusts, and the feel of skin against skin was sending you both spiraling.
“I’m gonna come,” Rafe gasped, his thrusts sloppy and rough as he fucked himself into you.
You felt the same, but you couldn’t really voice it, too focused on trying to breathe despite the fast pace of your heart. When Rafe pressed a hand into your stomach, it sent you over the edge, and the feel of you tightening around him and clenching down on him had him coming too, spilling into you with a loud moan.
Rafe’s thrusts were lazy now as he fucked you both through your orgasms, hips slow as he pushed into you. He only stopped when he softened completely, slow to pull his cock out and drop to his knees. His free hand reached for you, a thumb and index finger on your lips as he spread them.
“Look at that,” you heard him murmur while you fought to catch your breath. “You took me so well, angel.”
One of your feet relaxed on the floor, now while the other rested on his shoulder.
“Push it out for me. Show them how well you milked my cock…”
You didn’t quite understand him, but you did what you thought he wanted you to do. To your surprise, you could feel him leaking out of you, and the noise Rafe made told you he was satisfied.
“Good girl,” he purred, pushing two fingers into you. “You take me so well, you know that?”
He leaned in and kissed your sore lips then, a hum escaping him as he straightened. The camera was now off, and the phone was tossed to the side, but Rafe’s lips still found yours with a moan. Your confusion must have been evident when he pulled away, because he reached up to drag his thumb over your mouth.
“We’ll need to make time to practice if we want the next one to be even better.”
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